I always wanted to make an enlarged fibre optic flower lamp and this one chooses to cough at you or breathe gently.

AFA Funded. Exhibited at “Heavy Metal”, CASA Gallery, Lethbridge, AB, and in the Edmonton community at Langevin Studio.

Digitally and traditionally carved marble from Gramolazzo Italy. CCA funded. Exhibited “within the weight of action” through Digital Stone Project: Edmonton.

I love these filters! I unearthed them from a scrapyard in Dartmouth, NS, and carried them back home. They filter poorly like me a flex with an elastic conviction.

Exhibited at “Salvage”, Lowlands Project Space, Edmonton, AB.

Hydroformed steel of my fed-up feelings with asthma.

Exhibited at my personal studio and “Into the Weeds” at Lowlands Project Space, Edmonton, AB.

A celebration of my asthmatic body for its musical ability.

Exhibited with Dyscorpia 3 in a virtual copy of Enterprise Square Galleries with ‘Exit Spaces’.

Created as a part of the SofaLoaf series as a glib, yet empathetic remark about money. Funded by AFA.

Exhibited at “Artists in the Fallow”, Brighton Block Building, Edmonton, AB.

SkirtsAFire Festival Complicated Suspension Exhibition, Nina Haggerty Centre for the Arts Stollery Gallery

SilverSkate Festival Fire Sculpture with artists Stephanie Florence, Eric Almberg and Autumn Read

The burgers were soaked and in kerosene and tossed, alight into The Glutton with welded lobbing devices.

Asthma Performance and installation as part of the Toni Onley Artist Project in Wells, BC.

Inverness Gallery, Inverness County, NB

Enunciations Thesis Exhibition, Anna Leonowens Gallery Halifax, NS

Anna Leonowens Gallery, Halifax, NS

Hernandez Art Gallery, 2018

Representing Canada in the YICCA International Contemporary Art Competition

1 of 20 Turbine oil Filter, cut gloves, audio & performance

Solo exhibition at Anna Leonowens Gallery, Halifax, NS

Public Commission by Halifax Stanfield International Airport, Halifax, NS

Repurposed Airport Stanchions, Copper, laser cut birch mbiras, Steel and enlarged musicbox crank

Anna Leonowens Gallery, Halifax, NS

Ladder Training: a Simplified and Celebrated Thing, MFA Group Show, Anna Leonowens Gallery, Halifax, NS

Soap, Wood, Copper pipe, Amplification, Harp Strings and pegs

Detail

Scrap Metal, Silkscreen 4ft view master reel

Lens Detail

Franconia Sculpture Park, Shafer, MN

Detail

"Thursday Service" at Casket Gallery, Minneapolis, MN

"Thursday Service" at Casket Gallery, Minneapolis, MN

"Thursday Service" at Casket Gallery, Minneapolis, MN

This gutted couch is the body of the heroic Individual: once strong in erected isolation, now strained from Society’s demand. However, it relieves music from tight strings. The struggle to crave familial inclusion while chasing independence is vocalized through the haunting sounds of this constructed resonant chamber.  

Interactive Installation

30 x 42 Inches

Stop Motion Video of 20 Copper Etchings projected onto a box on the wall with a Sink Drain that plays crafted instrumental music from "String of Leading Sinews" 2016 that is distorted through the plumbing.

This sculpture  is an abstraction of a couch reliant on pattern and weight to determine its familial value. The enlarged pipe demands importance; a rusted odalisque sinking into the springs. 

Interactive Installation

Plastered foam cushion on Stand,  Silk Screen, Pipe punctured with nylon bristles that are amplified through Speakers when stroked
2ft x 3ft x 5ft

Abstract steel sculpture expressing the intimidating discomfort of inviting scrutiny of family from an outsider.

A series of 3 domestic niches responding to family as a space of transient motion. The viewer is an intruder: holding the shower head like a phone, digging in a drawer and purposefully fiddling with taps to hear these private conversations tattled on by household plumbing. 

This piece is a fantastical machine meant to transform books back into organic matter. The irrationality of this machine in combination to pairing the book with antiquated domestic objects (the ironing board and type writer); addresses a question of the importance of use.

This piece questions how the weight of knowledge is changing with the advancement in technology. Bookman represents the onslaught of knowledge that appears as a physical mass of the book.  (Made in collaboration with Brienne Miller)

The work evokes an overall feeling of frustration at the inability to have complete control over memory. The damage to the lightbulbs demonstrates futile attempts to successfully enter inside memories. Even the failed documentation in the drawers is inaccessible distorted through a lens as another limit of control.